Installation view: The Definitive Order & Killed Striking 1 . 2007 The Definitive Order. Museum display case, Red-Backed Shrike nest and eggs, Ostrich egg, Emu Egg, green silk and gold cushions. 90 x 116 x 72cm Killed Striking 1 . 2007. 39 Archival pigment prints, 122 x 366cm. Collection of the artist.
(left & right) Killed Striking 1. 2007
39 Archival pigment prints, 122 x 366cm. Edition of 1. Collection of the artist
Taxum Totem 101 & 100. 2007
C prints and silicon, 60 x 40 in (150 x 100cm) each. From a series of 30 images.
Editions of 1. Collection of the artist & the National Museum of Ireland
New work by KARL GRIMES National Museum of Ireland, Kildare Street, Dublin: September 27 to November 4, 2007
Gallery of Photography, Temple Bar, Dublin: September 27 to November 4, 2007
The National Museum of Ireland (Natural History) and the Gallery of Photography, Dublin, jointly present Dignified Kings Play Chess on Fine Green Silk, a body of new work by artist Karl Grimes. The work, in two installations at the Gallery of Photography, and the National Museum, Kildare Street, is based on Grimes’s artist-in-residence term at the Natural History Museum, now celebrating its 150th anniversary.
The title, Dignified Kings Play Chess on Fine Green Silk, is a mnemonic - a phrase used to remember the Linnean taxonomic order - Domain, Kingdom, Phylum, Class, Order, Family, Genus and Species.
In photographs, drawings, lightboxes, text and sound, Grimes’s re-interpretation of the Natural History Museum’s collections and Victorian museum practice in Ireland becomes a re-collection, a poetic transformation activating memory and re-awakening the ‘Dead Zoo’. The museum as a repository of knowledge, historical regimes of representation and ways of seeing are here addressed as Grimes applies his practice to the archives and hidden narratives of the Museum.
In the upper balcony of the National Museum, Grimes installs a series of large-scale animal portraits, the Taxum Totem series. These larger than life and richly hued images represent an act of re-curation and resurrection – a contemporary homage to 19th century observational science, the taxonomic collection, and the key role played by both taxidermy and photography in the presentation of knowledge in natural history museums.
The exhibition at the Gallery of Photography goes behind the scenes of the Museum, presenting images and drawings from off-site storage areas, research archives, imaginary do-it-yourself taxidermy guides, and ways of telling the good from the bad curator. In a key work here, Killed Striking 1 & 2, Grimes also pays tribute to the Irish naturalist R.M.Barrington. His pioneering study of migratory birds around the Irish coastline in the late 19th century is here realised in sound and image. Grimes captures the spirit of the Barringtonian enterprise, and draws fresh delights from it. His camera stares from lighthouses over the seas, awaiting migrant birds. Flight feathers protrude from their neatly stored envelopes, transformed into a series of ‘strange and charmed’ billets-doux.
A full-colour publication accompanies the exhibition, with texts by Martin Kemp, Nigel Monaghan, David Norris and Stephanie McBride. Available from bookshops at the Gallery of Photography, Dublin, the National Museum of Ireland, Dublin and Deyrolle, Rue du Bac, Paris.
ISBN 978-0-9552388-3-3
Supported by the Arts Council of Ireland, National Museum of Ireland, Gallery of Photography, Dublin, and the Morris Foundation, U.S.A.
(middle)Taxum Totem 009. Edition of 5. Collection of the artist and PBK (left & right) Interior 5, Interior 3. 2007
C print and silicon. 36 x 24 in (90 x 60cm) each. Edition of 1. Private Collections Irl/USA
(Left) Installation view detail, National Museum, Kildare Street, Dublin. Prints 72 x 48 in (183 x 122cm) each. (Middle) Barrington Wall, Merrion Street. Archival inkjet print. 90 x 60cm.
(Right) Home Trophies for Natural Living (detail)(after, White). 2007
Series of 8. Ink on archival rag paper. 10.5 x 8.5 in (26.5 x 21.5cm) each. Editions of 1. Collection of the artist
(Left) Tuskar Lighthouse Beam, Killed Striking 2 (detail). 2007
Transparencies in light boxes, 122 x 183cm each. Archival canvas map and LED light work. 180x120cm. Sound work (6.07 min) Grimes/Lawrence. Edition of 1 (Right) Name Calling Chinchilla, Beggars Bush. Dublin. 2007
C print and silicon, 40 x 60 in (100 x 150cm).Edition of 1. Collection of the artist